Amend wardrobe, setting and light on frames that are almost right. One change per job, 21 credits, originals preserved.
Per-job credit pricing is shown before you confirm. An edit produces a new piece; your original stays untouched in your account.
Every set contains frames that are nearly right: the pose holds, the light is honest, and the dress belongs to a different pack. The editor exists for those frames. State one amendment in plain words — wardrobe, setting, light, a single detail — and the frame is re-rendered with that change made and everything else left standing. Editing costs 21 credits a job, shown before you confirm, and the original is never overwritten: it stays on file beside its amended version.
The directory habit applies here too. An amendment is a note attached to an existing entry, not a new entry. The narrower the note, the more faithfully the rest of the frame survives it — which is why one change per job is a rule of the house rather than a suggestion.
Strong bones, wrong details. A frame whose composition has failed costs more to repair than to remake, and amendment credits are not where pride should be spent.
A single instruction keeps the rest of the frame still and the cost predictable. Three changes at once is not an amendment; it is a regeneration at an amendment’s price.
Original and amended versions rest side by side. Ship the winner. The other remains on file and costs nothing further.
The same pose dressed for three different packs. The fastest multiplication a catalogue knows.
Bedroom to hotel suite to bare studio wall, without moving the woman or the light that holds her.
Daylight to evening, flat to dramatic — a frame re-graded to sit quietly inside the listing it is joining.
“Change the teal lingerie set to burgundy lace. Keep the pose, the hair and the light exactly as they are.”
The amendment is named, and everything else is explicitly protected. The words “keep exactly” are cheap insurance, and they work.
“Move the scene to a marble hotel bathroom in warm mirror light. The subject and her pose do not change.”
One environment, moved once. A new room, a new outfit and a new pose in a single job is a new photograph, and should be briefed as one.
| Situation | The better move |
|---|---|
| Pose and light are right; details are wrong | Amend — it keeps the bones and costs less |
| The composition itself has missed | Remake the frame with a corrected brief |
| One keeper, three packs | Amend three times from the one keeper |
21 credits per job, shown before you confirm. Amending a keeper is normally cheaper than remaking and re-judging a whole set.
No. The amended version is a new file. The original rests untouched, and both remain yours.
One. Stacked changes unsettle the very parts you asked to keep, and the frame drifts off its entry.
Yes — your own photographs, under the same consent rules as every upload in the studio.
Narrow the instruction, and name what must stay identical. Vagueness is the usual cause of a drifting amendment.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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