AI Video Upscaler
Finishing-entry video upscaling for paid tiers and masters. Priced by duration and target resolution, shown before you confirm.
The finishing entry, for clips
The video upscaler takes a finished clip to a higher resolution, rebuilding detail frame by frame, so work produced at a working size can meet the measure of a storefront or a large placement. It runs on the video_upscaler model at a tabled 101 credits, with the exact figure calculated per job by duration and target resolution and shown before you confirm; failure refunds itself. Like its still counterpart, it closes the directory — it is the end of the process, never a rescue.
Order matters more here than anywhere, because the levers multiply: every second and every step of resolution raises the figure. A clip upscaled before its cut is locked pays finishing prices for footage that may be trimmed away by Friday. Lock first, upscale once, and file the master beside the working version it came from.
The working rhythm
Lock the cut first
Casting, cuts and grade are final at working resolution, where changing your mind is still cheap.
Upscale once, to the measure
Aim at the destination’s actual requirement. Beyond it lies cost without visibility, and this directory does not buy invisibility.
Check at full size, throughout
Faces and the edges of motion, across the whole clip — especially at turns and at changes of light, where weakness shows first.
When the step earns its price
Paid tiers, honestly labelled
A placement that advertises high definition receives a file that honestly meets the word.
A clip that outgrew its size
A teaser performing beyond the rest of the catalogue earns a delivery pass for larger placements.
One master, kept well
A high-resolution master of the flagship scenes, kept while the working catalogue stays lean.
Two filings, assessed
“The locked, graded store cut, upscaled once to the exact measure the placement demands.”
Every creative decision was closed before the finishing price was paid, so nothing in the spend was later trimmed away.
“Uncut rushes upscaled at maximum resolution, then shortened by half in the edit.”
Half the finishing spend was discarded with the trims. Duration is a price lever; upscale the shipped cut, never the rushes.
The cost, and its levers
| Lever | Effect | Practice |
|---|---|---|
| Duration | Longer clips cost more | Upscale the shipped cut, never the rushes |
| Target resolution | Higher costs more | Match the placement’s measure exactly |
| Timing | The price is the same whenever it runs | Run it last, when nothing else will change |
How is video upscaling priced?
On the video_upscaler model, tabled at 101 credits and calculated per job by duration and target resolution, shown before you confirm. Failed jobs refund automatically.
Can it rescue a poor clip?
No. It raises resolution. It does not raise the quality of a performance, a casting or a light. Those are settled earlier, at working size.
Should every clip be upscaled?
No. Teasers and ordinary feed clips rarely repay it. Keep it for paid tiers, for winners, and for masters.
Does it replace the original clip?
No. It produces a delivery version that rests beside the working file.
What should be checked afterwards?
Faces and motion edges at full size, across the whole clip — at turns and changes of light above all.
One account, every tool in the chain
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator